TRANSIT

“Transit” is a collective atlas to reflect on migration, a participatory installation taking part in the group exhibition

“In the Process of Making”
on view untill 9 Apr 2023
at Treehouse NDSM
Amsterdam

NEWS:

ARTS TALK MAGAZINE

“In The Process of Making” at Treehouse NDSM Amsterdam

I AM HERE

The journey of the migrant female artist in her search for internationalisation involves a set of obstacles which can lead to invisibility, exclusion and forgetfulness. (click to continue reading)

ANONYMOUS

It is well known that the former life of migrants is annulled. (…) Everything that is not objectified and cannot be counted and measured, everything that continues to live only as thought and memory, disappears. (…) For this, they created a single rubric, called “background”, which appears as an appendix in questionnaires, after sex, age and occupation. (…) Thus, even what is past is no longer safe from the present, which, by remembering it, once again consecrates it to oblivion.

(T. ADORNO, Minima Moralia, 1951)

A MONTANHA
COMO
METAFORA

Provas públicas
Mestrado em Artes Plásticas Intermedia
Faculdade de Belas Artes Universidade do Porto

Searching the uprooted, exiled and stateless memory, balanced on the thread stretched between the departure and the past, the present and the beginnings. Giving a shape to the obstacle and the impotence. This is the meaning of the mountain. ( click to continue reading)

 A tarefa de vasculhar a memória desenraizada, exilada e apátrida, equilibrada no fio estendido entre a partida e o passado, o presente e os primórdios, atribuindo uma forma ao obstáculo/impotência, esse é o sentido da montanha ( click to continue reading)

COSMOS

“Somewhere, something incredible is waiting to be known.”

click the image to watch the video

STORIES WE HOLD

Resarch on photography & memory. An intersection between family phototographs and a seminal book of the Brazilian literature ( “Os Sertões” by Euclides da Cunha) at the dawn of photography in the backlands of Bahia. The work is permeated by the attempt to identify traces of the female presence and make sense of their existence within the events.

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Neyde Lantyer

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