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PARADISE
[OR 58 SUNSETS]

New Babylon Exhibition
NDSM Fuse Gallery
5 Apr - 6 Oct 2024

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<CASA DE MULHERES>
MAM-BA

Curators: Alejandra Muñoz & Neyde Lantyer

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Seminar
“PROTAGONISMOS FEMININOS NAS ARTES, ARQUITETURA E DESIGN”
Auditorium Faculty of Architecture of the Federal University of Bahia
24-26 Jan 2024

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TRANSIT

is part of the exhibition OP DE VLUCH at NDSM FUSE in Amsterdam, from
01 Sept 23
to 28 Jan 24

TRANSIT is a collective atlas inviting the audience to intervene while reflecting on migration and displacement.

Millions of men and women moving across a global territorial: this is the scenario that configures the dimension of the contemporary.

_Jansen & Parada

Migration is an unstoppable human phenomenon, constantly displacing people around the globe, since the dawn of time. Whether moving to the next village or to a distant country, everyone is carrying within their dreams, traumas and the desire for a better future.

The artwork TRANSIT intends to raise awareness on the subjectivities behind the intense transit of individuals in globalized times, while addressing aspects such as multiculturalism, identity and personal stories.

--> click for more

NEWS:

THE ARTFUL 5

06 - 17 Dec
Opening 08 Dec 17h

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A MONTANHA
COMO
METAFORA

Provas públicas
Mestrado em Artes Plásticas Intermedia
Faculdade de Belas Artes Universidade do Porto

Searching the uprooted, exiled and stateless memory, balanced on the thread stretched between the departure and the past, the present and the beginnings. Giving a shape to the obstacle and the impotence. This is the meaning of the mountain. ( click to continue reading)

 A tarefa de vasculhar a memória desenraizada, exilada e apátrida, equilibrada no fio estendido entre a partida e o passado, o presente e os primórdios, atribuindo uma forma ao obstáculo/impotência, esse é o sentido da montanha ( click to continue reading)

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STORIES WE SILENCE

Resarch on photography & memory. An intersection between family phototographs and a seminal book of the Brazilian literature ( “Os Sertões” by Euclides da Cunha) at the dawn of photography in the backlands of Bahia. The work is permeated by the attempt to identify traces of the female presence and make sense of their existence within the events.

Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎Interview ︎︎︎Interview ︎︎︎Interview ︎︎︎Interview ︎︎︎Interview ︎︎︎Interview ︎︎︎ Interview ︎︎︎ Interview ︎︎︎Interview ︎︎︎ Interview

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