https://neydelantyer.com Neyde Lantyer Wed, 18 Nov 2020 09:16:44 +0000 https://neydelantyer.com en https://neydelantyer.com/Stories-We-Carry-Historias-que-Guardamos Fri, 16 Oct 2020 15:03:02 +0000 Neyde Lantyer https://neydelantyer.com/Stories-We-Carry-Historias-que-Guardamos STORIES WE CARRY (HISTORIAS QUE GUARDAMOS)Photographs, documents, newspapers, books and objectsResearch, lecture, projections, Installation2010-2018 &nbsp; &nbsp; &nbsp;<img width="1954" height="2846" width_o="1954" height_o="2846" data-src="https://freight.cargo.site/t/original/i/d0b64903bacb5450e4472c3343151cfd7e8d697d047df45cd18bb722a98f27c0/57.jpg" data-mid="91750658" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/d0b64903bacb5450e4472c3343151cfd7e8d697d047df45cd18bb722a98f27c0/57.jpg" /> Modern women, archaic ventures -The early days of photography in the Sertão. &nbsp;Family photographs and forgotten memories. &nbsp;The invisible women of the Canudos’s war. &nbsp;The brief appearance of women in the canon of Brazilian literature, “Os Sertões”, &nbsp;and some considerations on the misogyny of the author, Euclydes da Cunha. Research on photography &amp; memory; an intersection between family stories, a seminal book of Brazilian literature (“Os Sertões” by Euclides da Cunha), and the dawn of photography in the “sertão”. The narrative is permeated by the attempt to identify traces of the female presence and make sense of their existence within the events. _______________ PART 01. EARLY 19th CENTURY&nbsp; EVE The study focuses on my maternal village, Vila Bela de Santo Antônio das Queimadas, a rural community in the heart of the Bahia hinterland, in the 19th century. The region was first explored at the end of the 17th century, when the colonists, in pursuit of gold and land, infiltrated the territory and decimated the indigenous inhabitants.&nbsp; Part of the large area called Sertão, which spans almost the entire interior of the Brazilian Northeast, the area was characterized by a dry climate with vast unproductive estates and the exploitation of peasant labour by landowners. This circumstance was further aggravated by the recent abolishment of slavery (1888), which resulted in the influx of millions of former slaves onto the streets.Vila Bela de Santo Antônio das Queimadas was established around the year 1815, along the Itapicuru River, in the junction of two large farms owned by a woman, Dona Isabel Maria Guedes de Brito. After the death of her husband, the widow settled down with a sister in the farms. They are the first female characters in the story.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="2344" height="3505" width_o="2344" height_o="3505" data-src="https://freight.cargo.site/t/original/i/57b1859496682aba17378d6387106b13b4af8ae5e594fa95a40f308a8eabcf80/Paisagem-5Xa-copy.jpg" data-mid="85795394" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/57b1859496682aba17378d6387106b13b4af8ae5e594fa95a40f308a8eabcf80/Paisagem-5Xa-copy.jpg" /> &nbsp; &nbsp;<img width="389" height="300" width_o="389" height_o="300" data-src="https://freight.cargo.site/t/original/i/c7432025638141af1372553d6bc6c85934d80a410a8be11e44118c4484b4291c/Frans-Post-6-389x300.jpg" data-mid="92082298" border="0" data-scale="39" src="https://freight.cargo.site/w/389/i/c7432025638141af1372553d6bc6c85934d80a410a8be11e44118c4484b4291c/Frans-Post-6-389x300.jpg" /> &nbsp; &nbsp; &nbsp;&nbsp; Little is known about Dona Isabel, other than her Portuguese name and exclusive possession of those vast lands. However, it is not difficult to infer that she was a courageous pioneer in a rudimentary land. In order to begin a settlement, she made a portion of her land available to individuals who wished to establish a permanent residence there. Furthermore, she established a church dedicated to Saint Anthony, on the top of a hill, where the two women had a vision of the saint. The donation of land and the construction of a church were pivotal steps towards the settlement of the village.&nbsp; Since photography did not exist in her time and there is no painting or drawing depicting her, we are unable to distinguish Dona Isabel's physical appearance. Regardless, I think of her as our Eva, the first female with a name&nbsp;in the region. Despite the lack of evidence that she was related to my family, I still hold her to be the initial documented ancestor of us, from the village. Nonetheless, it is in the undocumented Cariri people, whose historical records are absent, that lies the matrix ancestor of all of us. &nbsp; &nbsp;<img width="567" height="800" width_o="567" height_o="800" data-src="https://freight.cargo.site/t/original/i/4718b3aac1206774f52067537f9500467ce0b6aa31cc30064da2c123a5d96fc9/india03.jpg" data-mid="92082846" border="0" data-scale="31" src="https://freight.cargo.site/w/567/i/4718b3aac1206774f52067537f9500467ce0b6aa31cc30064da2c123a5d96fc9/india03.jpg" />&nbsp;<img width="1339" height="1962" width_o="1339" height_o="1962" data-src="https://freight.cargo.site/t/original/i/889e069b483475158bc1636ad65401463e3223ee7b043e5951e11ccb358c1117/Henschel01XDD.jpg" data-mid="85794223" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/889e069b483475158bc1636ad65401463e3223ee7b043e5951e11ccb358c1117/Henschel01XDD.jpg" /><img width="2472" height="3543" width_o="2472" height_o="3543" data-src="https://freight.cargo.site/t/original/i/ab4c5eb374d79b413808aed2ce7ffffa600cf313baab70653e934d7852f82d82/Anonymous-Isabel.jpg" data-mid="148751879" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/ab4c5eb374d79b413808aed2ce7ffffa600cf313baab70653e934d7852f82d82/Anonymous-Isabel.jpg" /> &nbsp;<img width="1622" height="2562" width_o="1622" height_o="2562" data-src="https://freight.cargo.site/t/original/i/4dcdfa4181fa8ecf6469f4fe02b6c3bed81f3fd01aab3116cb0129d9f90bbc6d/19-Rio-2.jpg" data-mid="86052094" border="0" data-scale="42" src="https://freight.cargo.site/w/1000/i/4dcdfa4181fa8ecf6469f4fe02b6c3bed81f3fd01aab3116cb0129d9f90bbc6d/19-Rio-2.jpg" /> &nbsp; <img width="841" height="1024" width_o="841" height_o="1024" data-src="https://freight.cargo.site/t/original/i/46a53ad70f0f2b11c39bbb8e26fe29e567a39e50ae4294dacf3592cbc7a157c6/20180905rs-8625_1024x1024.jpeg" data-mid="148753858" border="0" data-scale="53" src="https://freight.cargo.site/w/841/i/46a53ad70f0f2b11c39bbb8e26fe29e567a39e50ae4294dacf3592cbc7a157c6/20180905rs-8625_1024x1024.jpeg" /><img width="1280" height="948" width_o="1280" height_o="948" data-src="https://freight.cargo.site/t/original/i/2cdb115b550f8332ea56aa1d2112e795bc5263bbcae6b2afe5ee6ca348d97ff1/20180905meteorito_de_bendego_em_1887.jpg" data-mid="148754007" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/2cdb115b550f8332ea56aa1d2112e795bc5263bbcae6b2afe5ee6ca348d97ff1/20180905meteorito_de_bendego_em_1887.jpg" />&nbsp; <img width="945" height="631" width_o="945" height_o="631" data-src="https://freight.cargo.site/t/original/i/d5a4458c57caabbf98ea40b0b3c850d4fe244bb24c2598c7ab34731e187e6de5/Igreja-de-SAnt.jpg" data-mid="148754820" border="0" data-scale="51" src="https://freight.cargo.site/w/945/i/d5a4458c57caabbf98ea40b0b3c850d4fe244bb24c2598c7ab34731e187e6de5/Igreja-de-SAnt.jpg" /> 1 - “Isabel” © Neyde Lantyer 2 - “Tatu” © &nbsp;Frans Post3 - “Eve” ©&nbsp;Neyde Lantyer 4, 5 - Neyde Lantyer.&nbsp;Appropriated from public archives 6- Neyde Lantyer. Appropriated from family collection&nbsp; 7, 8 - © Mornay. Bendengo Meteorite, 1816&nbsp; 9 - &nbsp; Appropriated from family collection&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; ________________ PART 02. LATE 19TH CENTURY The most significant photographs taken in the region, in the 19th century, portrayed the “Battle of Canudos” (1896-1897), a political-religious movement near Vila Bela das Queimadas, which resulted in a huge bloodbath. WAR&nbsp; (...) The head of the movement, a man known as “the Counselor”, attracted thousands of peasants and former slaves to a place that became known as Canudos. In his preaching,&nbsp;a mix of religion, mysticism and revolt against misery,&nbsp;the Couselor promised salvation while casting apocalyptic prophecies about the end of the world, deflagrating a movement that became a menace to the supply of labor in the region. Ultimately, the movement emerged as a threat to the newly proclaimed Brazilian Republic (1889). In response, the powerful landowners, together with the Catholic Church, which found itself threatened by the rebellious preaching of a layman, pressured the government to combat the movement, alleging rumors that Canudos intended to invade neighboring cities and leave for the capital. <img width="4987" height="3347" width_o="4987" height_o="3347" data-src="https://freight.cargo.site/t/original/i/e89ed0eee07be2477ec8b2a12a223b5cf647facae1a0634b02831f76cfb29dcb/Canudos-to-printddBrown.jpg" data-mid="85873848" border="0" src="https://freight.cargo.site/w/1000/i/e89ed0eee07be2477ec8b2a12a223b5cf647facae1a0634b02831f76cfb29dcb/Canudos-to-printddBrown.jpg" /> © D. Urpia. Canudos before the war.<img width="1278" height="579" width_o="1278" height_o="579" data-src="https://freight.cargo.site/t/original/i/c6f9b9fe57ec4478efdd014077406c623575c94b961faa8702d1697084a45570/P001FBAC00xx.jpg.jpg" data-mid="85873936" border="0" src="https://freight.cargo.site/w/1000/i/c6f9b9fe57ec4478efdd014077406c623575c94b961faa8702d1697084a45570/P001FBAC00xx.jpg.jpg" />© Flavio de Barros. Canudos after the last assault, 1897 War was declared. The Brazilian army dispatched the 1st expedition (600 men), then the 2nd (1,500 men) and the 3rd (2,500 men), and all three were defeated by the rebels, alarming public opinion in the large cities who demanded the annihilation of the annihilation of Canudos (25,000 inhabitants). The popular claim gave legitimacy to the massacre perpetrated by the 4th expedition (6,000 men), which finally defeated the revolt.The war lasted a year and ended with 25,000 deaths, including 5,000 soldiers, plus the total destruction of Canudos. <img width="820" height="518" width_o="820" height_o="518" data-src="https://freight.cargo.site/t/original/i/0b7e3914bcfe0c3def9b43f4133b3e876bc2a9de1d7147d48729eba9ed4582ab/1200px-Canudos_Cartografico__plano_de_operacoes_de_Guerra_no_Estado_da_Bahia.jpg" data-mid="85950503" border="0" data-scale="100" src="https://freight.cargo.site/w/820/i/0b7e3914bcfe0c3def9b43f4133b3e876bc2a9de1d7147d48729eba9ed4582ab/1200px-Canudos_Cartografico__plano_de_operacoes_de_Guerra_no_Estado_da_Bahia.jpg" /> <img width="2873" height="1878" width_o="2873" height_o="1878" data-src="https://freight.cargo.site/t/original/i/a298e384db0470e2c352f70be075dd301d17f9a4d3c173f2f8d7ec3dbb19b4c5/bb.jpg" data-mid="85946087" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a298e384db0470e2c352f70be075dd301d17f9a4d3c173f2f8d7ec3dbb19b4c5/bb.jpg" /> From “Os Sertões”, Da Cunha, Euclydes. PRISONERSThe photograph here below, taken by Flavio de Barros, dipicts the women prisoners at the aftermatch. Even though the official documents hardly mention it, 2/3 of the population of Canudos were women, or about 16,000 individuals. Records say that only 300 women and children survived the war - and we can see them here, looking directly at the photographer. Unofficial reports give notice that&nbsp;they were taken to the capital, sold as slaves or prostitutes, and then disappeared without a trace. What happened to them? <img width="1701" height="849" width_o="1701" height_o="849" data-src="https://freight.cargo.site/t/original/i/82aab39a899ac23edb379857a07ab94ee91aa070a0f25a7db6d9b7f6899dbfbf/neydelantyer-Memoria_Partida-07-Small.jpg" data-mid="222775509" border="0" src="https://freight.cargo.site/w/1000/i/82aab39a899ac23edb379857a07ab94ee91aa070a0f25a7db6d9b7f6899dbfbf/neydelantyer-Memoria_Partida-07-Small.jpg" /> © Neyde Lantyer.&nbsp;Drawing on Flavio de Barros’s photograph, 2019 &nbsp; &nbsp; &nbsp;<img width="8511" height="2838" width_o="8511" height_o="2838" data-src="https://freight.cargo.site/t/original/i/9a278c35d240093d45f0bf87cd14329e7195a3d001a11987aa3871e7b23ed58a/52xx.jpg" data-mid="85859057" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/9a278c35d240093d45f0bf87cd14329e7195a3d001a11987aa3871e7b23ed58a/52xx.jpg" /> Drawing on Flavio de Barros’s photograph, details, 2019 THREE SISTERS <img width="1452" height="1980" width_o="1452" height_o="1980" data-src="https://freight.cargo.site/t/original/i/1e06b079d7f3c4e84750b8072fc55fd83160d2eaaab2117029ff30d68eb62ec1/01-3Irmas-JoaquinaX.jpg" data-mid="85879522" border="0" src="https://freight.cargo.site/w/1000/i/1e06b079d7f3c4e84750b8072fc55fd83160d2eaaab2117029ff30d68eb62ec1/01-3Irmas-JoaquinaX.jpg" /> Mixed media on photograph, 2014 My maternal family was formed a few years before the war with a legendary story: the visit of three beautiful sisters to Vila Bela das Queimadas, Joaquina, Mariana and Isabel. They came from a neighboring village, accompanied by their father, for an evening of poetry and music by the local philharmonic orchestra. Despite the region's cultural aridity, there were philharmonic orchestras performing on celebratory occasions and special gatherings for local families, as well as erratic poets willing to recite their poetry. For some kind of wonder - or perhaps some previous arrangement &nbsp;- at the end of the visit the three of them were committed with three of the most prestigious local bachelors, three cousins among themselves. The weddings happened in the same day, a year later - two of the new couples, my maternal great-grandparents. *Let’s not forget that getting married was absolutely important for a “woman of family”, valuating and giving her a place in society. And if the man was somehow powerful, her value raised in face of the community and in everybody’s eyes. EARLY 20TH CENTURY <img width="1304" height="1841" width_o="1304" height_o="1841" data-src="https://freight.cargo.site/t/original/i/9dc784620d84f44a9d89e4eb790d8c3f97b0dfedb002d72d71415e1a1cdd294b/03a-Marianaxx.jpg" data-mid="85945745" border="0" src="https://freight.cargo.site/w/1000/i/9dc784620d84f44a9d89e4eb790d8c3f97b0dfedb002d72d71415e1a1cdd294b/03a-Marianaxx.jpg" /> <img width="3943" height="2668" width_o="3943" height_o="2668" data-src="https://freight.cargo.site/t/original/i/ad5cc9d58943920a61e8ceb743b54dbf1e5e343892a4707e0d52edfea164b91a/01-Funeral-de-Francisco-LantyerBetter.jpg" data-mid="85943675" border="0" src="https://freight.cargo.site/w/1000/i/ad5cc9d58943920a61e8ceb743b54dbf1e5e343892a4707e0d52edfea164b91a/01-Funeral-de-Francisco-LantyerBetter.jpg" /> <img width="2076" height="1323" width_o="2076" height_o="1323" data-src="https://freight.cargo.site/t/original/i/88fb9983edda5274cec0a5452c5ad064ed00853d155b625ee22e1685a2a63e9a/FullSizeRender-3xxc.jpg" data-mid="85945407" border="0" src="https://freight.cargo.site/w/1000/i/88fb9983edda5274cec0a5452c5ad064ed00853d155b625ee22e1685a2a63e9a/FullSizeRender-3xxc.jpg" /> OS SERTÕES <img width="1279" height="1762" width_o="1279" height_o="1762" data-src="https://freight.cargo.site/t/original/i/7c61829dd7b796e6603f7a6912b6fab418b6d98c5eaa1da398f8b180d5a334a2/SAM_4983.JPG" data-mid="85944717" border="0" src="https://freight.cargo.site/w/1000/i/7c61829dd7b796e6603f7a6912b6fab418b6d98c5eaa1da398f8b180d5a334a2/SAM_4983.JPG" /> Five years after the Canudos bloodbath, Euclides da Cunha launched his masterpiece “Os Sertões”(1902), an immediate success and still considered a seminal book of the Brazilian literature and essential for understanding the country. Euclides’s narrative was intensely visual to the point that some of his critics said that he was jealous of the photographer Flavio de Barros and his unique images of the episode, which I disagree. In my opinion, is the book - and not the photographs - that creates the mythological image of the “sertão”&nbsp;flagellated, dramatic and fatalistic, a Brazilian icon that - for then on - academics and artists have never ceased to look for.&nbsp; <img width="2488" height="1445" width_o="2488" height_o="1445" data-src="https://freight.cargo.site/t/original/i/c68235b1fe32d499ca58bc0c413b4b2f585b84a40dc0993766736bb82acb85f5/cocorobo-halftoneX.jpg" data-mid="85875625" border="0" src="https://freight.cargo.site/w/1000/i/c68235b1fe32d499ca58bc0c413b4b2f585b84a40dc0993766736bb82acb85f5/cocorobo-halftoneX.jpg" /> In the 1960’s Canudos was flooded by the Cocorobó dam. THE FIRST PHOTOGRAPHS OF THE VILLAGE 1920-1922 <img width="1622" height="2562" width_o="1622" height_o="2562" data-src="https://freight.cargo.site/t/original/i/4dcdfa4181fa8ecf6469f4fe02b6c3bed81f3fd01aab3116cb0129d9f90bbc6d/19-Rio-2.jpg" data-mid="86052094" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4dcdfa4181fa8ecf6469f4fe02b6c3bed81f3fd01aab3116cb0129d9f90bbc6d/19-Rio-2.jpg" /><img width="2542" height="1418" width_o="2542" height_o="1418" data-src="https://freight.cargo.site/t/original/i/b226f6447df6e36ec047d95e224d4be0f61f8b7e89dec20eaa96effa0cd438cf/Travessia.jpg" data-mid="92474649" border="0" src="https://freight.cargo.site/w/1000/i/b226f6447df6e36ec047d95e224d4be0f61f8b7e89dec20eaa96effa0cd438cf/Travessia.jpg" /> <img width="2495" height="1655" width_o="2495" height_o="1655" data-src="https://freight.cargo.site/t/original/i/ba252cc8d36a380d24952672690d790ec8c2f7aca900e92d026934bd3d1963d9/09-Vales.jpg" data-mid="86052212" border="0" src="https://freight.cargo.site/w/1000/i/ba252cc8d36a380d24952672690d790ec8c2f7aca900e92d026934bd3d1963d9/09-Vales.jpg" /> <img width="3737" height="1512" width_o="3737" height_o="1512" data-src="https://freight.cargo.site/t/original/i/3a199c67478695c472d608f89810c72a3cd3041a1c241ff8ff94c1bdc066f0d4/06-Greve.jpg" data-mid="86052114" border="0" src="https://freight.cargo.site/w/1000/i/3a199c67478695c472d608f89810c72a3cd3041a1c241ff8ff94c1bdc066f0d4/06-Greve.jpg" /> <img width="3413" height="1788" width_o="3413" height_o="1788" data-src="https://freight.cargo.site/t/original/i/65443769a6ad83c50a9764c2fa43e8bb356ad67690670818f8884674159038e9/26-Estacao.jpg" data-mid="86051746" border="0" src="https://freight.cargo.site/w/1000/i/65443769a6ad83c50a9764c2fa43e8bb356ad67690670818f8884674159038e9/26-Estacao.jpg" /> <img width="1788" height="2539" width_o="1788" height_o="2539" data-src="https://freight.cargo.site/t/original/i/5edc4e8658c0ee9f7ef55e83aa4a011592d8e35ad30951c82e90fe26d255518c/16-casal-e-criada.jpg" data-mid="86052095" border="0" src="https://freight.cargo.site/w/1000/i/5edc4e8658c0ee9f7ef55e83aa4a011592d8e35ad30951c82e90fe26d255518c/16-casal-e-criada.jpg" /> <img width="3413" height="2510" width_o="3413" height_o="2510" data-src="https://freight.cargo.site/t/original/i/1cc98f369a39b68c09bc3c749775ff22ccc4e3d8e03280d7d706761261bb7a06/27-Criancas.jpg" data-mid="86052100" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/1cc98f369a39b68c09bc3c749775ff22ccc4e3d8e03280d7d706761261bb7a06/27-Criancas.jpg" /> &nbsp; &nbsp; &nbsp;&nbsp;<img width="2450" height="762" width_o="2450" height_o="762" data-src="https://freight.cargo.site/t/original/i/b96cf3d417dd8adb182ff5a2549af2ac4854f142df7c715f01e784e421dc2f20/07-Uma-feira.jpg" data-mid="86051654" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/b96cf3d417dd8adb182ff5a2549af2ac4854f142df7c715f01e784e421dc2f20/07-Uma-feira.jpg" /> Taken by Lindolfo Farias, the engeneer who travelled to the village to buid the road connecting Vila Bela das Queimadas to Cumbe (actual Euclides da Cunha city), between 1920 and 1922, these photographs are a rarity, from my grandfather’s archives. Their outstanding historic value have the merit to provide a rather rich chronicle of the village, giving a perspective into the local social relations in the early 20th century. Looking at them, one can divise the signs of a “desenvolvimentist” wave that took the sertão in that very moment with the construction of roads and dams and other&nbsp;infra-sctructure to allow the access (and explotation) of that remote region. Moreover, the photographs offer a glympse on several aspects of the life in the village, such as the movement at the reailway station, a church, a busy street market, a Protestant baptism in the river, a police case, a veteran of the Paraguay war and even a strike by the workers of the road, for lack of payment. Nonetherless, the collection of 40 images are a striking document of the historic work and class relations in the sertão, having also the merit to provide an overview on the bourgeois family life represented by a group of stylish children and two couples, one of them accompained by a black servant.&nbsp; MODERN WOMEN 1920s-1930s <img width="626" height="960" width_o="626" height_o="960" data-src="https://freight.cargo.site/t/original/i/b60e8f0dfb8296b9c1480e056ae4eed1af5ef33590676c94a7260e429683b081/Prof.-Presciliana-Santos-Souza--mais-conhecida-como-PROF.-CECY-SOUZA--formou-se-no-INSTITUTO-NORMAL-DA-BAHIA-e-foi-EDUCADORA-de-varias-geracoes-em-Vila-Bela-de-Santo-Antonio..jpg" data-mid="88031483" border="0" data-scale="98" src="https://freight.cargo.site/w/626/i/b60e8f0dfb8296b9c1480e056ae4eed1af5ef33590676c94a7260e429683b081/Prof.-Presciliana-Santos-Souza--mais-conhecida-como-PROF.-CECY-SOUZA--formou-se-no-INSTITUTO-NORMAL-DA-BAHIA-e-foi-EDUCADORA-de-varias-geracoes-em-Vila-Bela-de-Santo-Antonio..jpg" /> CECY SOUZA&nbsp;Village teacher in the first decades of the 20th century.&nbsp;The first black girl to graduate from the Escola Normal. &nbsp; <img width="469" height="940" width_o="469" height_o="940" data-src="https://freight.cargo.site/t/original/i/2ffcf6090882b69ad22acd641f231c52c9822dbe513f4a082c61c8e4a3fdc614/Zulmira.jpg" data-mid="88031854" border="0" src="https://freight.cargo.site/w/469/i/2ffcf6090882b69ad22acd641f231c52c9822dbe513f4a082c61c8e4a3fdc614/Zulmira.jpg" /> ZULMIRA LANTYERSuffragist and councilor; the first woman elected in the first elections in which women voted and were voted in the country (1936). <img width="1102" height="1417" width_o="1102" height_o="1417" data-src="https://freight.cargo.site/t/original/i/6a35f5378584c549821f17b9a4621c3011b6b7efdaaac14b2f2cdc6a844f7d68/GeracoesLLou.jpg" data-mid="89958350" border="0" src="https://freight.cargo.site/w/1000/i/6a35f5378584c549821f17b9a4621c3011b6b7efdaaac14b2f2cdc6a844f7d68/GeracoesLLou.jpg" /> LOURDES NONATO MARQUESThe schoolteacher who, while still a young student, delivered the official speech to prominent intellectual Ruy Barbosa, visiting the village as a presidential candidate (1919). &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="471" height="615" width_o="471" height_o="615" data-src="https://freight.cargo.site/t/original/i/45e34a0fbb7aa77a9494813ea47b2d090b6376e2618017f89f180bf5dfc3a838/vintage-postcard-bird-flowers.jpg" data-mid="209469070" border="0" data-scale="45" src="https://freight.cargo.site/w/471/i/45e34a0fbb7aa77a9494813ea47b2d090b6376e2618017f89f180bf5dfc3a838/vintage-postcard-bird-flowers.jpg" /> THE ITAPICURU RIVER, A MEMOIR (by several photographers) <img width="6623" height="3542" width_o="6623" height_o="3542" data-src="https://freight.cargo.site/t/original/i/f4034d099789204bad12ecfec4a26dd528fc50236130a192572df6036d4c60d3/Capa-copy2.jpg" data-mid="92447474" border="0" src="https://freight.cargo.site/w/1000/i/f4034d099789204bad12ecfec4a26dd528fc50236130a192572df6036d4c60d3/Capa-copy2.jpg" /><img width="2542" height="1418" width_o="2542" height_o="1418" data-src="https://freight.cargo.site/t/original/i/b226f6447df6e36ec047d95e224d4be0f61f8b7e89dec20eaa96effa0cd438cf/Travessia.jpg" data-mid="92474649" border="0" src="https://freight.cargo.site/w/1000/i/b226f6447df6e36ec047d95e224d4be0f61f8b7e89dec20eaa96effa0cd438cf/Travessia.jpg" /><img width="3415" height="1209" width_o="3415" height_o="1209" data-src="https://freight.cargo.site/t/original/i/c4bdfeeb5a2cc96bb777149b22b417892b8a0189b8bb0e1374094a7099a8facd/Mocos-e-mocas.jpg" data-mid="92366333" border="0" src="https://freight.cargo.site/w/1000/i/c4bdfeeb5a2cc96bb777149b22b417892b8a0189b8bb0e1374094a7099a8facd/Mocos-e-mocas.jpg" /><img width="6141" height="2430" width_o="6141" height_o="2430" data-src="https://freight.cargo.site/t/original/i/b6e569d828122df7bd8cea4fa85c031e47a82be15d83c56e7f0a3f6ec4d88843/Rio-FamiliaXXX.jpg" data-mid="92453223" border="0" src="https://freight.cargo.site/w/1000/i/b6e569d828122df7bd8cea4fa85c031e47a82be15d83c56e7f0a3f6ec4d88843/Rio-FamiliaXXX.jpg" /><img width="3883" height="2025" width_o="3883" height_o="2025" data-src="https://freight.cargo.site/t/original/i/627a66f453be2f0adf3e40d8b8e8a6a5b8090a661faef01f669e90950f77daa4/Kids.jpg" data-mid="92479194" border="0" src="https://freight.cargo.site/w/1000/i/627a66f453be2f0adf3e40d8b8e8a6a5b8090a661faef01f669e90950f77daa4/Kids.jpg" /><img width="6448" height="2270" width_o="6448" height_o="2270" data-src="https://freight.cargo.site/t/original/i/5d6d01cf3c232fce455e4dea558535032c333b2443f4c62571d291773cdbb6a0/Pedra-pedra03.jpg" data-mid="92482730" border="0" src="https://freight.cargo.site/w/1000/i/5d6d01cf3c232fce455e4dea558535032c333b2443f4c62571d291773cdbb6a0/Pedra-pedra03.jpg" /><img width="3543" height="1843" width_o="3543" height_o="1843" data-src="https://freight.cargo.site/t/original/i/b68ffae4d170f5636bfdea96960a8dfd0be4e24bcde135a790835ab08b7ae19a/Catavento.jpg" data-mid="92480101" border="0" src="https://freight.cargo.site/w/1000/i/b68ffae4d170f5636bfdea96960a8dfd0be4e24bcde135a790835ab08b7ae19a/Catavento.jpg" /><img width="3338" height="1441" width_o="3338" height_o="1441" data-src="https://freight.cargo.site/t/original/i/2e7f64c92a1bab569cc02f64a497b2d238313e67794a05d66f87ba48d79e0481/Poema-Pedra02.jpg" data-mid="92480998" border="0" src="https://freight.cargo.site/w/1000/i/2e7f64c92a1bab569cc02f64a497b2d238313e67794a05d66f87ba48d79e0481/Poema-Pedra02.jpg" /><img width="2121" height="898" width_o="2121" height_o="898" data-src="https://freight.cargo.site/t/original/i/6a1b70add4c29535da7b8ae741e0ff6f19726b0379e1f939f33ae3c86e254ae5/Pedra-Rocha2.jpg" data-mid="92474983" border="0" src="https://freight.cargo.site/w/1000/i/6a1b70add4c29535da7b8ae741e0ff6f19726b0379e1f939f33ae3c86e254ae5/Pedra-Rocha2.jpg" /><img width="3882" height="1771" width_o="3882" height_o="1771" data-src="https://freight.cargo.site/t/original/i/91d804b882393e5b7133d5294ac2b68b8d8d7a7ea9c38a36ab016ea64c3b0985/Views.jpg" data-mid="93178337" border="0" src="https://freight.cargo.site/w/1000/i/91d804b882393e5b7133d5294ac2b68b8d8d7a7ea9c38a36ab016ea64c3b0985/Views.jpg" /> THE HOUSE The family house, known as Chalet Lantyer, is a monument built in French style, between 1900 and 1906. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="2718" height="1824" width_o="2718" height_o="1824" data-src="https://freight.cargo.site/t/original/i/ef57095c9dee58f1ea113cda519aad3f0f91393de932a8de907b6d21b7a16230/DSC_0272x.jpg" data-mid="141080453" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/ef57095c9dee58f1ea113cda519aad3f0f91393de932a8de907b6d21b7a16230/DSC_0272x.jpg" /> https://neydelantyer.com/Videos-1 Wed, 18 Nov 2020 09:16:44 +0000 Neyde Lantyer https://neydelantyer.com/Videos-1 VIDEOS ART Cosmos (2020) To 3 Stories and a Poem (2018) Paris (2016) NDSM (2016) Martha (2016) Bloemendaal (2016) EXHIBITIONS Bienal do Sertão (2023) LECTURES, TALKS, PRESENTATIONS Racismo à Brasileira (2023) w/Fabiane Albuquerque / Matriarcado por Fabiane Albuquerque e Neyde Lantyer Limbo (2022) Margem (2022) "Não Sei", Poem by Marcia Falcão Barreiros (2020) https://neydelantyer.com/Vivendo-em-Casa-Live-Interview-Portuguese Tue, 22 Sep 2020 13:20:33 +0000 Neyde Lantyer https://neydelantyer.com/Vivendo-em-Casa-Live-Interview-Portuguese Live Interview – Histórias que Guardamos Transmitido ao vivo em 15 de set. de 2020 Em sua #21 edição, o projeto de entrevistas Vivendo em Casa, acerca da fotografia e suas relações, se realizará excepcionalmente às 18h do Brasil e 23h da Holanda, de onde a convidada falará. O programa terá a mediação do fotógrafo e jornalista [DRT 5300] baiano Marcelo Reis [@marceloreis], do Instituto Casa da Photographia de Salvador, com transmissão ao vivo nos canais Facebook e YouTube Marcelo Reis (@marceloreis), e Facebook do Instituto Casa da Photographia. Marcelo Reis conversará com NEYDE LANTYER, artista visual e pesquisadora em memória, identidades femininas e imagem, cujo trabalho tem sua origem na fotografia autoral ou apropriada e desdobra-se em videos, gravuras e impressões, objetos, textos e instalação. Neyde Lantyer investiga fragmentos de memórias coletivas e pessoais, contemplando gênero, sócio-política, migração, pertencimento e exclusão. Mestranda em Artes Plásticas na Universidade do Porto, Portugal, Neyde pós graduou-se em Histories and Theories of Photography pela Universidade de Leiden, na Holanda, estudou Artes Plásticas EBA-UFBa (inconcluso). Seus estudos incluem também Serviço Social na UCSal (concluído em 1984) e Comunicação e Jornalismo UFBa (inconcluso), alem de formações em Fotografia, Vídeo e Cinema na Holanda e no Brasil. Neyde Lantyer trabalhou por 10 anos como restauradora fotográfica ajudando a recuperar importantes arquivos holandeses e seu trabalho vem sendo exposto na Europa e no Brasil. Sua pesquisa artística em fotografia e trajetórias femininas “Histórias que Guardamos” tem sido selecionada e apresentada em universidades, museus e eventos à exemplo da Conferência de Gênero nas Artes, Universidade de Lisboa, Portugal, 2017, e na Universidade de Perugia, Itália, 2019.Vive há 22 anos em Amsterdam, na Holanda, de onde concederá a entrevista. Nesta terça-feira, dia 25 de agosto de 2020, as 18h nos canais Facebook e do YouTube de Marcelo Reis (@marceloreis), e Facebook do Instituto Casa da Photographia, e não mais no Instagram, como habitualmente apresentado. Acesse nossos canais e participe. Meus canaisYOUTUBE: https://bityli.com/bu42HFacebook: https://bityli.com/ZHJU1 https://neydelantyer.com/Sua-luta-e-uma-arte-Live-Interview-Portuguese Thu, 01 Oct 2020 09:51:16 +0000 Neyde Lantyer https://neydelantyer.com/Sua-luta-e-uma-arte-Live-Interview-Portuguese Sua luta é uma arteTerça 16/6/2020 – 19h Brasil – 00h Amsterdam Fui entrevistada pelo ator e advogado Jaime Cunha. Sigam pelo Instagram @jaimeacunha <img width="818" height="811" width_o="818" height_o="811" data-src="https://freight.cargo.site/t/original/i/9a11a94ccd2e3edea3054415b2d80741d946b61c7eefc9cbeb9d601934e018f5/sualuta-2.jpg" data-mid="84278214" border="0" src="https://freight.cargo.site/w/818/i/9a11a94ccd2e3edea3054415b2d80741d946b61c7eefc9cbeb9d601934e018f5/sualuta-2.jpg" /> https://neydelantyer.com/Cultura-Resistencia-Live-Vozes-de-Fibra-Portuguese Thu, 01 Oct 2020 09:35:29 +0000 Neyde Lantyer https://neydelantyer.com/Cultura-Resistencia-Live-Vozes-de-Fibra-Portuguese VOZES DE FIBRA A Luta da Cultura no Brasil&nbsp;Live @ Youtube Canal FIBRA @ Youtube Transmitido ao vivo em 28 de jun. de 2020 Fui moderadora, junto com o ator Carlos Lagoeiro (Teatro Munganga, Amsterdam), da live VOZES DE FIBRA sobre a luta da área da Cultura no Brasil. O programa foi produzido pelo Coletivo Amsterdam pela Democracia no Brasil e a Frente Internacional de Brasileiros contra o Golpe (FIBRA) CULTURA E RESISTÊNCIA EM TEMPOS DE PANDEMIA E BOLSONARISMO Ultrapassados 50 mil mortos, a pandemia avança veloz no Brasil, devastando as populações indígenas, quilombolas, ribeirinhas e favelizadas. O país está à deriva, sem ministro da Saúde e sem qualquer política de enfrentamento da crise. Um presidente genocida, semeador do ódio, ridiculariza o virus, desdenha dos mortos e incentiva a invasão de hospitais. A FIBRA e os brasileiros vivendo fora assistimos estarrecidos à essa trágica apoteose do ataque à democracia, à cultura e à vida no Brasil, desencadeado pelo golpe de 2016, que culminou com a eleição do fascista Jair Bolsonaro. Desde então está em curso uma guerra cultural cuja intenção é destruir a identidade e a memória brasileiras, nosso arcabouço cultural e as ricas manifestações da nossa diversidade. Sofrendo ataques sistemáticos, a extinção da pasta e sucessivos vetos e cortes no orçamento, perseguições, suspensões de editais e censura, o setor da Cultura tem sido tambem duramente atingido pela pandemia. Diretamente dependente do público, da presença humana, da interação, do contato físico e da venda de ingressos, o setor vê todas as suas atividades paralisadas sem nenhuma previsão de retorno e sem qualquer política de amparo aos trabalhadores do setor. A Lei Aldir Blanc, criada por ativistas culturais e pelos partidos progressistas para prestar tal socorro, foi aprovada pela câmara e pelo senado e ainda aguarda sanção presidencial. Neste domingo, 28/06, o Vozes de FIBRA conversa com Ana Lúcia Pardo, membro da Articulação Nacional da Lei Emergencial Aldir Blanc e com o artista e ativista Fernando Sato, sobre a resistência da Cultura contra o fascismo, a luta pela aprovação da Lei Aldir Blanc e a rede de solidariedade que vem ocupando todos os cantos do país. Fazendo jus à maravilhosa tradição junina brasileira, o programa contará com a participação especial da banda de pífanos Epifolias. A moderação será de Carlos Lagoeiro e Neyde Lantyer, do Coletivo Amsterdam. FIBRA / Coletivo Amsterdam pela Democracia no Brasil 28/06 10h Brasília / 14h Lisboa / 15h Amsterdam Convidados: Fernando Sato (Jornalistas Livres) + Ana Lúcia Pardo (Ocupa MINC e Articulação Lei Aldir Blanc) + Epifolias (Banda de Pífanos) <img width="1566" height="960" width_o="1566" height_o="960" data-src="https://freight.cargo.site/t/original/i/22f43bb8df0f5d48f1080b1345a8134fe5a0632aa143a5f805bea8b894a6b753/vozes.jpg" data-mid="84276610" border="0" src="https://freight.cargo.site/w/1000/i/22f43bb8df0f5d48f1080b1345a8134fe5a0632aa143a5f805bea8b894a6b753/vozes.jpg" /> https://neydelantyer.com/CoM-Temporanea Thu, 01 Oct 2020 09:24:36 +0000 Neyde Lantyer https://neydelantyer.com/CoM-Temporanea COM@TEMPORANEA&nbsp; Web-program with Margô Dalla Youtube 2020 I am in a new web-program about art, &nbsp;hosted by @MargoDalla at Youtube ARTE EM TEMPOS DE PANDEMIA Program nr 01. O QUE É ARTE?Program nr 02. Follow @margodalla’s channel for new episodes https://neydelantyer.com/Talking-With-Live-Interview Thu, 01 Oct 2020 09:57:51 +0000 Neyde Lantyer https://neydelantyer.com/Talking-With-Live-Interview TALKING WITH Live Interview by Margô Dalla&nbsp; (in Portuguese) Jun 2020 &nbsp; &nbsp;Talking with Margô Dalla Transmitido ao vivo em 25 de jun. de 2020 I was interview by Brazilian journalist Margô Dalla for her live program “Talking with Margô Dalla” at Instagram. -Follow @margodalla’s channel for new episodes <img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/a5012054cdb5cfba4c2077e6a4b6ebd7d89dc92d2756ba673941cdf351cb5547/talking.jpg" data-mid="84278675" border="0" src="https://freight.cargo.site/w/960/i/a5012054cdb5cfba4c2077e6a4b6ebd7d89dc92d2756ba673941cdf351cb5547/talking.jpg" /> https://neydelantyer.com/HOME Thu, 17 Sep 2020 12:55:25 +0000 Neyde Lantyer https://neydelantyer.com/HOME 🌐✨New website coming soon! 🌐✨ <img width="3039" height="1933" width_o="3039" height_o="1933" data-src="https://freight.cargo.site/t/original/i/1b7c753780214e1e13a4f6ec1cb2e9e48130facb67e1e27d4eab893af361e84a/000.jpg" data-mid="251766868" border="0" src="https://freight.cargo.site/w/1000/i/1b7c753780214e1e13a4f6ec1cb2e9e48130facb67e1e27d4eab893af361e84a/000.jpg" /> SEMPER AMÕRIS IGNIS IN CORDE MEÕ in The&nbsp;Ultieme Selfie at NDSM FUSE 17 July - 11 October 2026 INTERIOR LANDSCAPES &nbsp; NDSM FUSE24 APRIL - 05 JULY2026 <img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/b815558a27744c6307fc499b3c15abded5eb7d853c580b415f6ca4f06ad9ac87/IMG_1946.jpeg" data-mid="251795643" border="0" src="https://freight.cargo.site/w/1000/i/b815558a27744c6307fc499b3c15abded5eb7d853c580b415f6ca4f06ad9ac87/IMG_1946.jpeg" /> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; ------------------------ <img width="2308" height="3114" width_o="2308" height_o="3114" data-src="https://freight.cargo.site/t/original/i/89f4d32cf24cb5aa8a08b72438a6e85003b1e0b7ce66ce2d8304416329079e21/01-Month-02.jpg" data-mid="223863066" border="0" src="https://freight.cargo.site/w/1000/i/89f4d32cf24cb5aa8a08b72438a6e85003b1e0b7ce66ce2d8304416329079e21/01-Month-02.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a74def61ac80ee7d08673af5e82c812aed2fab839a042364644f24dce8e32182/IMG_1338Ret.jpg" data-mid="219562521" border="0" src="https://freight.cargo.site/w/1000/i/a74def61ac80ee7d08673af5e82c812aed2fab839a042364644f24dce8e32182/IMG_1338Ret.jpg" />
 Searching the uprooted, exiled and stateless memory, balanced on the thread stretched between the departure and the past, the present and the beginnings. Giving a shape to the obstacle and the impotence. This is the meaning of the mountain.&nbsp; ( click to continue reading) __________________________ &nbsp; &nbsp;&nbsp; TRANSITis part of the exhibition&nbsp;OP DE VLUCH&nbsp;at NDSM FUSE&nbsp; in Amsterdam, from 01 Sept 23 to 28 Jan 24&nbsp; <img width="1350" height="1080" width_o="1350" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a9bb42412ba0520d80feabba15904b6df44b70da47df565be6d9f913e16c8d76/de7f96bb-8c52-4d4a-8a38-688c8ce332f1.jpg" data-mid="189439223" border="0" src="https://freight.cargo.site/w/1000/i/a9bb42412ba0520d80feabba15904b6df44b70da47df565be6d9f913e16c8d76/de7f96bb-8c52-4d4a-8a38-688c8ce332f1.jpg" /> TRANSIT is a collective atlas inviting the audience to intervene while reflecting on migration and displacement. <img width="4032" height="2032" width_o="4032" height_o="2032" data-src="https://freight.cargo.site/t/original/i/fa702e86f703fa31a3bf7e22af6069bf6ecb1f05b77801e561ef18d4671270bc/IMG_4952-2.jpg" data-mid="189439157" border="0" src="https://freight.cargo.site/w/1000/i/fa702e86f703fa31a3bf7e22af6069bf6ecb1f05b77801e561ef18d4671270bc/IMG_4952-2.jpg" /> &nbsp; &nbsp; &nbsp; Millions of men and women&nbsp;moving&nbsp;across a global territorial:&nbsp;this is the scenario&nbsp;that configures the dimension of the contemporary._Jansen &amp; Parada Migration is an unstoppable human phenomenon, constantly displacing people around the globe, since the dawn of time. Whether moving to the next village or to a distant country, everyone is carrying within their dreams, traumas and the desire for a better future. The artwork TRANSIT intends to raise awareness on the subjectivities behind the intense transit of individuals in globalized times, while addressing aspects such as multiculturalism, identity and personal stories. --&gt; click for more ______________________________________________________ &nbsp; &nbsp; &nbsp; &nbsp; STORIES WE&nbsp;CARRY Resarch on photography &amp; memory. An intersection between family phototographs and a seminal book of the Brazilian literature ( “Os Sertões” &nbsp;by Euclides da Cunha) at the dawn of photography in the backlands of Bahia. The work is permeated by the attempt to identify traces of the female presence and make sense of their existence within the events. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <img width="1622" height="2562" width_o="1622" height_o="2562" data-src="https://freight.cargo.site/t/original/i/cd77618f05bb31fdfc4a77ea715871e70f311a299ea04ea53fb83db703999747/19-Rio-2.jpg" data-mid="90063117" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/cd77618f05bb31fdfc4a77ea715871e70f311a299ea04ea53fb83db703999747/19-Rio-2.jpg" /> + Ver mais + https://neydelantyer.com/Contact Tue, 22 Sep 2020 14:01:51 +0000 Neyde Lantyer https://neydelantyer.com/Contact &nbsp; CONTACT: Neyde Lantyer is based in Amsterdam, the Netherlands Send her a message by clicking the address: info@neydelantyer.com +31.610943610 Instagram:&nbsp;@neydelantyer_art Other links where you can find Neyde Lantyer: https://www.womenhouse.art/ https://www.ndsm-fuse.eu/ Treehouse NDSM Academia.edu Kunst Ruim&nbsp; Where Are the Women Artists ______________________________ Websites on women artists: https://www.womenhouse.art/ https://awarewomenartists.comhttps://famm.com/en-gb https://fresques.ina.fr/elles-centrepompidou/ https://feministartproject.rutgers.eduhttps://womanmade.org https://www.society-women-artists.org.uk https://womensartofcanada.ca